{"id":3723,"date":"2026-05-13T11:27:09","date_gmt":"2026-05-13T09:27:09","guid":{"rendered":"https:\/\/danceweekfestival.com\/uncategorized-hr\/taking-the-leap-of-other-silvija-music-natasa-kustura-2\/"},"modified":"2026-05-17T09:59:54","modified_gmt":"2026-05-17T07:59:54","slug":"taking-the-leap-of-other-silvija-music-natasa-kustura","status":"publish","type":"post","link":"https:\/\/danceweekfestival.com\/en\/performances\/taking-the-leap-of-other-silvija-music-natasa-kustura\/","title":{"rendered":"taking the leap of other \u2013 Silvija Musi\u0107 & Nata\u0161a Kustura"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Venue:<\/strong> ZPC
\nDuration:<\/strong> 35 min.<\/p>\n

The beginning of civilization is not the bow.
\nNor the arrow.
\nNor the clay bowl.
\nBut the first healed femur.<\/p>\n

The largest and strongest bone in the body, and the one that takes the longest to heal. Which means that someone stayed with the injured person, that someone cared.
\nOffered support.<\/p>\n

And this place we are building, and fighting for, is at least a temporary place of support. It comes into being through a negotiation between closeness and surrendering to being led, between trust as a prerequisite and letting go.<\/p>\n

What can we do when there are two of us, and what happens when it becomes too tight?<\/p>\n

How do I surrender my weight to another, and what happens when I offer my own back?<\/p>\n

What happens when I lean on another, while at the same time remaining aware that the support is temporary?<\/p>\n

Can I jump into the space of another?<\/p>\n

What kind of support can I be, and what kind of support do I need?<\/p>\n

Choreography & performance:<\/strong> Silvija Musi\u0107 i Nata\u0161a Kustura (UO Os)
\nMusic:<\/strong> Ana Kova\u010di\u0107
\nLight design:<\/strong> Sa\u0161a Fistri\u0107
\nScenography:<\/strong> Vanja Magi\u0107
\nCostimography:<\/strong> Luka \u0160\u010drbak
\nDramaturgical support:<\/strong> Nikolina Rafaj
\nVisual identity: <\/strong>Josip Kresovi\u0107
\nPhotography:<\/strong> Marta Solja\u010di\u0107 (motprod)
\nCo-production:<\/strong> Umjetni\u010dka organizacija Os (UO Os) i Hrvatski institut za pokret i ples (HIPP) kroz Tjedan suvremenog plesa (TSP)
\nThanks: <\/strong>Zadarski plesni ansambl (ZdPA), Kristina Lisica, Matea Bilosni\u0107, Marta Huber
\nFinancial support: <\/strong>Ministarstvo kulture i medija, Gradski ured za kulturu, me\u0111ugradsku i me\u0111unarodnu suradnju i civilnog dru\u0161tva Grada Zagreba[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_blank” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” column_link=”https:\/\/danceweekfestival.com\/wp-content\/uploads\/2025\/04\/light-setup.pdf” column_link_screen_reader=”Light setup” gradient_type=”default”][divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”default” animate=”yes” custom_height=”1″][divider line_type=”No Line” custom_height=”30″]

<\/i> <\/div>
Light setup <\/div>
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On schedule<\/h3>\n[\/nectar_responsive_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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