{"id":3797,"date":"2026-05-13T11:27:13","date_gmt":"2026-05-13T09:27:13","guid":{"rendered":"https:\/\/danceweekfestival.com\/uncategorized-hr\/brevijar-zadarski-plesni-ansambl-2\/"},"modified":"2026-05-13T11:27:13","modified_gmt":"2026-05-13T09:27:13","slug":"brevijar-volite-li-zadar-zadarski-plesni-ansambl","status":"publish","type":"post","link":"https:\/\/danceweekfestival.com\/en\/performances\/brevijar-volite-li-zadar-zadarski-plesni-ansambl\/","title":{"rendered":"Brevijar: Do You Love Zadar? \u2013 Zadar Dance Ensemble"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]Venue:<\/strong> ZPC
Duration:<\/strong> 50 min.<\/p>\n

The new production of the Croatian National Theatre Zadar, in collaboration with the Zadar Dance Ensemble, Breviary: Do You Love Zadar?<\/em>, is an invitation to dialogue and a reminder of the power of theatre as a means of social critique and transformation. This stage work, directed and choreographed by Sanja Petrovski in collaboration with her dancers, is interdisciplinary in character, positioned on the boundary between form and content. The performance is also an incentive to seek out spaces of togetherness, support and resistance within the artistic community, an affirmation of identity, and a presentation of a cross-section of accumulated knowledge within the local environment.<\/p>\n

The theme of the performance was identified through several literary and journalistic forms of expression: Predrag Matvejevi\u0107\u2019s Mediterranean Breviary<\/em>, Ante Perkovi\u0107\u2019s Do You Love Zadar?<\/em>, Slobodan Novak\u2019s short novel The Lost Homeland<\/em>, and Mediterranean Armerun<\/em> by Bruno \u0106urko and photographer Stipe Sura\u0107. All of these works share a similar structure, which also served as the format for the performance. A city thousands of years old, with the pronounced charm of a Mediterranean culture of living, is in a way the main protagonist of the performance. Zadar is a city that has been demolished and rebuilt, that has changed and created its own new history like no other city on the coast. Achieving a balance between tradition and personal evolution, while at the same time bridging the traumas that arise from being confronted with the terrors of today\u2019s reality, is the task set by the dancers of the Zadar Dance Ensemble, offering a solution through bodily presence and constant renewal.<\/p>\n

The extratextual reality \u2014 mythical, historically real and surrealist \u2014 is present in Ante Perkovi\u0107\u2019s tourist guide Do You Love Zadar?<\/em> It is a guide through notable events from Zadar\u2019s history, a chronology of events seen from a different perspective. Selected intertwined motifs from this cult book tell the story of a city that, at the height of its civilizational achievement, disappears and loses its identity. The communication between people and the city, stolen and memorized moments, dialogues through dance and movement, bodily memory inscribed through petrified memories \u2014 all of this is presented through the interpretation of contemporary dance theatre and physical theatre. The connection between people and the city is dynamically incorporated through the relationship between theatre, dance and music.<\/p>\n

The performance was created as a collage format of analogies of experiences presented in the book, in parallel with the associations awakened in the performing artists during the creative process.<\/p>\n

How can one create a performance that is attractive \u2014 visually, sonically, and ultimately emotionally \u2014 not only to dance audiences? A performance that touches upon the ambience of the Mediterranean, without falling into the trap of conventions and triviality?
(Sanja Petrovski)<\/strong><\/p>\n

Concept, Direction and Choreography: <\/strong>Sanja Petrovski
Music: <\/strong>Ante Perkovi\u0107 (Postoji plan<\/em>, Svi me vole dok me ne upoznaju<\/em>, 0:0 u gostima<\/em>), Jere \u0160e\u0161elja and \u017darko Marinkovi\u0107
Lighting Design: <\/strong>Galen Matulina \/ Igor Petrovski
Sound Design: <\/strong>Jere \u0160e\u0161elja \/ Marta Huber
Costume and Props Selection: <\/strong>Sanja Petrovski
Set Design: <\/strong>John \u010colak
Performers and Co-choreographers<\/strong>: An\u0111ela Bugarija, Patricia Gospi\u0107, Bernarda Klarin, Nata\u0161a Kustura, Natali Mahmi\u0107, Josipa \u0160tuli\u0107 and Korina Oltran
Narrator: <\/strong>Alen Liveri\u0107
Performance Photography: <\/strong>\u017deljko Karavida \/ Adrijana Vidi\u0107
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Photo: \u017deljko Karavida, Adrijana Vidi\u0107<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”50″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” disable_element=”yes” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ 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On schedule<\/h3>\n[\/nectar_responsive_text][divider line_type=”No Line” custom_height=”20″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none”…<\/p>\n","protected":false},"author":0,"featured_media":3878,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[26],"tags":[32],"class_list":["post-3797","post","type-post","status-publish","format-standard","has-post-thumbnail","category-performances","tag-2026-en"],"acf":[],"yoast_head":"\nBrevijar: Do You Love Zadar? 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